Using a filtered and treated electric guitar as the starting point for his lush soundscapes, Fennesz has created a personal and groundbreaking discourse throughout his career. Perhaps sculpting the last truly unique vision for the guitar, his luminant compositions are anything but sterile experiments. Fennesz’s world of sound unfolds and resembles sensitive, telescopic recordings of rainforest insect life or natural atmospheric occurrences, an inherent naturalism permeating each piece. In addition to his prolific output as a solo artist, and his ongoing investigation of the limits of noise, automatic composition, field music or contemporary classical, Fennesz is also a frequent collaborator with other luminaries of the scene. These include artists such as Alva Noto, Oren Ambarchi, Ryuichi Sakamoto, Keith Rowe, Peter Rehberg, David Sylvian, and Jim O’Rourke.